Mikhail Galitsky biography
Vichuge of the Ivanovo region. In the city of in - gg. From the city of Honored Artist of the Republic of Tatarstan, the first roles of M. Galitsky on the stage of the Kazan Bolshoi Theater: an exotic and eccentric husband in the comedy of R. Lamura “My Parisian”, the impatient Florino Aretuzi in the comedy of K. Goldoni “The servant of the two gentlemen”, Sergey Platonov in the staging of the novel by A.
Kuprin, the merchant of Abdulin in N. Gogol’s “Examiner”, ”attested to the solid professional preparedness of the actor, stage experience, the ability to cope with the dramatic material of different planes.
In the series of images, the discovery created by him was the image of Mitka in the play “Chicken blindness” based on the play by N. Kolyada, in which the actor managed to reveal the inner world of a person, mentally devastated, lost meaning and purpose in life. Serious success brought the role of Tevye in the musical D. Boka, D. Stein “Violinist on the roof” according to the famous Roman Sholom-Aleicham “Tevye-Younger”, for the performance of which, as part of the production group, the actor was awarded the State Prize of the Republic of Tatarstan.
Confidently existing in the musical fabric of the performance, organically moving from vocals to a dramatic dialogue, Galitsky created a life -affirming and multifaceted image of a worker, worthy of enduring the testing of fate, persistent and courageous in the struggle for his own happiness and happiness of his children. The musical side of the image complemented and developed the image of a dramatic, forming a harmonious unity.
Brechta - K., created at the junction of two arts - musical and dramatic - the witty image of a clever businessman, specifying on human misfortunes and trying to build its success on them, was convincing with psychological validity and brightly theatrical by means of expressiveness. The image of Fedor, created by Galitsky, in the performance of I. Kvirikadze "American whore, or a journey through Russia with a dad of an alcoholic." Trying to overcome the superficiality and illustrativeness of the dramatic material, the actor strives for the tragicomic figure of a person who once earned political capital on external resemblance to the leader of the world proletariat Lenin, to see and convey the drama of the existence of people in the conditions of totalitarian regime and ideological pressure.
With internal drama, the Galician role of Illa plays in the “Visit of the Lady” by F. Dürrenmat, conveying the painful process of realization by his hero of the inevitability of retaliation. Consistently and convincingly the actor shows how, step by step into his hero’s consciousness, the idea that he committed in his youth was betrayed by his beloved of selfish considerations gave rise to the return betrayal of citizens in relation to him when an hour of reckoning came.
The actor is convincingly conveyed by the content of Mamaev’s image “Glumov” based on the play of A. Ostrovsky “There is quite simplicity for any sage”, a state dignitary, boasting his significance, ignorant and smug. In the complex and fairly loose composition of the play “The Great Combinator” according to the novel by I. Ilf and E. Petrov “Twelve Chairs” it was Galitsky as Vorobyaninov, clearly and consistently built the effective line of his hero, develops the plot and determines the dynamics of the performance.
The main idea of the novel about the collapse of illusions, about the impossibility of turning the movement of history, is read in the image created by the actor quite convincingly and emotionally excitedly. The analytical approach to the material of the role allows the actor to exist in the image psychologically reliably.