Vladimir Minin Biography conductor

Born on January 10 of the year in Leningrad. Father - Minin Nikolai Yuryevich - mother - Minina Maria Vyacheslavovna - spouse - Khodosova Svetlana Nikolaevna - Parents V. Minina were natives of St. Petersburg. Nikolai Yuryevich in the year as a volunteer went to the front, then served in the 1st Horse Army as a signalman. After the end of the war, I went through many different professions.

In the year, he married Maria Vyacheslavovna Sokovnina. She had secondary education. She worked as a saleswoman in a hat store. Vladimir grew up a musically gifted child. The first musical impressions were preserved in his memory - peasant songs in the village where he spent summer, singing cadets of the artillery school, on the contrary of which their house was in Leningrad.

With pleasure, he himself sang in the school choir. On the recommendation of a school teacher in the year, A. Sveshnikov accepted the boy at the Children's Children's School under the Leningrad Chapel. But then Vladimir has not yet associated his future with music. He, like all the boys of Leningrad, dreamed of a naval fleet. In the year, he sent a statement to the Jung School. But his fate was different.

Vladimir lost his mother early. In the year, she died as a result of an accident. The father, who served in the NKVD bodies from the year, was arrested in the year in the year, sentenced under the article - counter -revolutionary propaganda. At that moment, Nikolai Yuryevich saved his friend - A. Yakovlev is also a military signalman who commanded the school of communications. He, risking many, came to Moscow and achieved a revision of the case.

In the year, Nikolai Yuryevich Minin returned home. But this was already a different, broken person. At the beginning of the war, the choir school was evacuated from Leningrad to the village of Arbazh of the Kirov region. Of the 30 students of two classes accepted to the school of boys in the year, 10 people remained by the year. After moving to Moscow, they compiled the first issue of the Moscow Church School - the year.

Communication with the teachers of the school at the Leningrad Chapel was largely determined by the conscious choice that Vladimir Nikolaevich made much later, choosing the profession of the conductor with his life. Alexander Vasilievich Sveshnikov formally did not conduct individual lessons, but encouraged the desire to independently master the secrets of professional skill.

Another teacher - Palladium Andreevich Bogdanov, who conducted all musical classes and had a huge impact on students, brought up in children a responsible attitude to school and healthy professional ambition. Vladimir Nikolaevich Minin recalls how once the whole class did not learn the lesson. Having become students of the Moscow Church School, Vladimir Nikolaevich Minin and other graduates of the Sveshnikov school with hot hobby gave all their free time to classes, especially in the piano class.

A great influence on Minin was exerted by his piano teacher V. After graduating from the school, the entire issue was adopted at the Conductor-Chorovaya Faculty of the Moscow Conservatory. The first place of professional work for V. Minin was the State Choir of the USSR, where he was accepted in the year as an accompanist, and then became the chorus chorus in the year.

In the year, he was drafted into the Soviet Army and was sent by the artistic director and chief conductor to the song and dance ensemble of the Northern Group of Troops in Poland. After demobilization, he enters the graduate school of the Moscow Conservatory and at the same time works as a chormaster in the State Choir of the SSR Union. At the end of graduate school at the Moscow Conservatory, he receives an offer to become the artistic director and chief conductor of the Honored Chapel of the Moldavian SSR “Doina”.

Five years of successful work with this highly professional team brought V. Minin the Order and the first title, commendable articles appeared in the newspapers. But external success and professional recognition did not give full satisfaction. During these years, V. Minin had a decisive influence on the formation of creative views with Georgy Vasilyevich Sviridov. The first acquaintance with the composer and his music occurred in the year, when G.

Sveshnikov, who then led the choir, entrusted the work on the oratorio V. Sviridov created his works for the choir, considering the singing a cappella truly deeply national tradition that lurks enormous opportunities for the composer. Sviridov’s music, his views on choral art, opened new creative prospects for the young conductor, served as an impetus to the awareness of his profession as a true calling and work of all life.

In the year, V. Minin left the chapel of Doyna and moved to Novosibirsk, where he headed the Department of Church Conducting the Novosibirsk Conservatory. In the search for new creative ways, he includes modern Russian music in the repertoire of the choir - first of all, the music of local composer A. Minin to lead the Leningrad Academic Chapel named after M.

for two and a half years his creative views did not find embodiment in work with a long -established team, and he moves to Moscow in the year. He teaches at the Department of Church Conducting at the State Musical and Pedagogical Institute named after Gnesins.In the year he becomes his rector. In the year, a chamber choir, compiled from students, graduate students and Gnesinka graduates, begins its work in the walls of the institute under his leadership.

The work of the team was based on the idea of ​​creating a chamber Russian modern choir. Not elementary, mechanical labor developed by the unparalle of the votes, but the harmony of individuals and the most complete and vivid disclosure of everyone's abilities in the framework of ensemble singing and the task and, perhaps, the most important thing: I would like this art to return its ancient spiritual significance, its true place not only in our culture, but also in everyday life.

” The first choir program, shown on April 23 in the hall of the Moscow House of Scientists, was purely Russian. It was compiled by folk songs in copyright and original works of Sviridov, Shchedrin, Kalistratov, Blyacher, Nikolsky. According to V. Minin, "the choir was brought up and grew on the music of Sviridov and other modern Russian composers." In subsequent years, the repertoire of the choir included such large works of G.

Sviridov as the “Pushkin wreath”, the cantata “Night Clouds”, dedicated to V. Minin, “Kursk songs”. In the year, the first execution of the program of cult church works was held, which continued the tradition of performing Russian spiritual music, laid down by Alexander Yurlov. The creation of the Moscow Chamber Choir became a noticeable phenomenon not only in the creative biography of V.

Minin, but also by the event of the musical culture of the whole country. A team appeared with bright, only inherent in performing aesthetics. It was in the performance of the choir under the leadership of V. Minin that the spiritual works of Russian composers were revived at the world executive level: the works of Rachmaninov “All -Night Vigil”, “The Liturgy of St. John Chrysostom”, “The works of Tchaikovsky, Grechaninov, Chesnokov, Taneyev and other Russian composers.

At the beginning of the year, V. Minin’s choir became professional, and in the fall the first foreign tour took place. The performance of the then unknown team then made a sensation at a choir festival in Czechoslovakia. In the year, the first entry at the company "Melody" took place. In the year, the beginning of the performance of such large works as the “little solemn mass” Rossini, the Gloria Vivaldi, “Stabat Mater” Pergoletsi was laid.

Especially the performance of the chorus under the leadership of V. Minin Symphony-Eatism “Chime” V. For writing this essay, the author was awarded the State Prize. For more than 30 years of the existing chamber choir, the outstanding world performers - I. Arkhipov, E. Obraztsov, E. Nesterenko, Z. Stekilava, A. Vedernikov, as well as orchestras under the direction of E.

Svetlanov, V. Fedoseeva, Yu. Temirikanov, M. Pletnev, V. Spivakov, Yu. Bashmet, remains the scenic events of the last tense of the last time Recording the anthem of the Russian Federation together with the Great Symphony Orchestra named after P. Tchaikovsky, the first performance of G. Sviridov’s writings “Songs of timeless”, participation in a concert with Montserrat Kabalier, Easter festival held by V.