Biography about Chukhontsev

Pavlovsky Posad of the Moscow Region He graduated from the faculty of the Russian language and literature of the Moscow State Pedagogical Institute. He began to be printed in in preparing a collection of poems “plan”, but ideological censorship did not allow him to be published. Criticism of Chukhontsev in the poem “The narrative of Kurbsky”, in which the betrayal was supposedly justified, further complicated the release of the poet’s books.

As a result, the first collection of Chukhontsev’s poems “of the three notebooks” was released only in his second collection-the “auditory window”-appeared in, and the third-“wind and ash”-in the poetic worldview of Chukhontsev are characterized by drama, historicism and lyric-philosophical reflection, which was formed under the influence of such Christian and neo-Christian thinkers, like p.

Chaadaev, K. Leontyev, V. Rozanov, N. Berdyaev, S. Bulgakov, N. Fedorov and others. A long stay in the ideological underground contributed to the development both in the worldview of the poet, and in his style of dramatic duality, contrast in the relationships between light and shadow, good side of life and its “night” wrong side, between the wrong side, between the wrong side, between the wrong side, between The world of real, subject and world is different, ideal, spiritual, divine, between faith and knowledge, life and death.

In this duality and contrast, gloomy tones, Rembrandt chiaroscuroers prevail. Psychologically and stylistically Chukhontsev relative to Dostoevsky, his contemporaries K. Sluchevsky, I. Annensky and A. Apukhtin, as well as V., the biography of Chukhontsev also contributed to the development of duality. Born in Posad-a half-ceremony-Polugorod, dedicated to him many of his verse, and the poem “His own.

Memory of loved ones, ”who considers himself an“ intellectual in the first generation ”“ excerpt ”, the poet felt in the capital's intelligent environment a newcomer, stranger and lonely, although, on the other hand, he found friends, fans of his talent here. The deep historicism of the poetry of Chukhontsev affects not only in the image of the distant “Ilya”, “The narrative of Kurbsky”, “The Conch of Ivan”, “Praise Derzhavin”, “Barkov”, “Batyushkov”, “Delvig”, “Kakhovsky”, “Chaadaev on Basmannaya” and close “their own”, “cat in boots”, “double”, but also in the image of modernity “Neighbor”, “Semyon Usud”, “Nonfamil”, the poet is especially attentive to the gloomy, tragic periods of national history: the era of Ivan the Terrible and the times of Stalinism.

To characterize this or that time, he most often resorts to the genre of the historical and psychological portrait, and sometimes to panoramic sketches “On the Tashkent Boyn”, “The Rehearsal of the Parade”, in the poem “Gray-based primary school teacher, is full of deep drama of the poet’s thoughts about the inside of the historical process in the verse. It is irreconcilable to despotism, being a supporter of historical progress, Chukhontsev at the same time acutely feels how expensive this progress is paid and how slowly and painfully it is carried out.

Unlike many sixties, the Chukhonets, neither during the years of the Khrushchev thaw, nor now he does not rely on a quick change in life for the better. Chukhontsev is a soil, according to his beliefs, he, in the words of his “ballad about the restorer”, “blood history”, but his love for Russia is not, like Chaadaev, blind, she is like Lermontov’s “strange love”. The poet is in the verse.

In the poem “And these days, they burned behind a posad in a verse. The search for spiritual promise is imbued with philosophical thoughts of Ch. Drunk used materials of Prince. Prose writers, poets, playwrights. Bio -bibliographic dictionary. Volume 3. Next, read: Works: Poems. Running landscape: poems and poems. Literature: Rassadin Art. Oleg Chukhontsev: The age of time.

About simple and high: [rec. And my longing is dulling at night: [Rez. Ivikov Rooster [about Prince.